a hundred visions and revisions

Target Employees

WHEN YOU DIE, YOU GO TO TARGET

icbins Play Reading, In Numbers

5 actors reading 10 characters

1 casting director, 1 dramaturge, 1 director

94 pages in the script, read in about 70 minutes

2 pizzas

3 phases in the talkback

1 completely disastrous joke about birthing dogs (don’t ask, but it was even worse than it sounds.)

5 retail horror stories shared

2 last names, accidentally given to the one family

1 perfect bengali accent

1 passive protagonist

15 suggestions on how to make protagonist less passive

2 underdog characters everyone seemed to like more than I expected

3 pages, front and back of notes taken during the discussion

100 visions and revisions that I now plan on doing.

Thank you so much to everyone for generously donating their time and talent today. Next step: new draft. I’ll keep you posted!!

In the meantime, does anyone have any funny/interesting/depressing stories from working corporate retail? Share them in the comments!

A Reading Full of Gumbys

This Sunday, ICBINS plunges head first into a new piece of text: When You Die You Go To Target by our blog master supreme being, Chiara Atik.  If you missed it, Chiara wrote up a great piece on what’s been spinning through her brain leading up to the reading.  I know the anxiety that comes with presenting an unfinished product to a group of people, especially people you know (which may be even more difficult).  You trust them, you’re expecting something from them, and whether they come back at you with positive or negative comments, it damn well better be helpful, because hell, that’s why you’ve been tinkering so much!  You want your baby to be perfect.  Mommy luv baby.

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Published in:  on June 24, 2009 at 6:20 pm Comments (1)
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screenwriting is hard (part i)

while my current playwriting project continues to chip away at my sanity, i have taken on an additional side project:  working on a script for a short film with matt patches!

well now i’ve definitely flipped it.  not only am i willingly working again with matt patches, but i’m going to be working in a medium that doesn’t come naturally to me at all.  i always loved my screenwriting classes at NYU with Joe V (holla), but when it came to screenwriting, i always felt like i was swimming upstream.

so why is that?  screenplays are scripts right? with dialogue? and characters? i love characters! so what’s the deal? what makes writing a screenplay so horribly different?

i have a few thoughts:

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High Entertainment with a Low Budget, Not Just a Technique for the Film Industry

I Can't Believe It's Not Shakespeare

Last weekend I had the great pleasure of attending a reading of Mariana Carreño King’s play OFELIA’S LOVERS.  Not only was the reading free but they also provided the audience with wine, and since I’m not exactly rolling in cash these days and still enjoy the dubious benefits of alcohol, this was most agreeable.  There really is nothing quite like live theater, and I certainly don’t require a large production budget to be entertained.  Ofelia’s Lovers may not have had the money to construct a detailed set and elaborate costumes but what it did have was a captivating script and actors that captured and performed the characters beautifully.

I may be new to the working world and to my post as managing director of ICBINS but I’m no stranger to theater. Sure -  I somewhat enjoy fancy theatrics like actors disappearing in a cloud of smoke or swinging across the stage, but when it really comes down to it and what I will take away with me and ponder for weeks to come is the dialogue.  Some of my all time favorite performances had a minimal set with one setting and actors that sat around (they didn’t fly) and just talked.  That’s right, they talked – for two hours, and I could have sat through 10 more.  Not to say every dialogue heavy performance I’ve seen was spectacular but with the right story and the right cast everything else is just eye candy.

This is good news for a broke ass company like ICBINS.

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TARGET update

ICBINS is proud to announce its team of collaborators on its kickoff project of the 2009 Reading Series: When You Die, You Go To Target by Chiara Atik: Michael Abourizk, Allen Arthur, Chiara Atik, Sophie Aung, Stacy Bone, Lauren B. Ferrel, Melissa Lusk, Julia Rae Maldonado, Matthew Patches and Manuel Fernando Perez.

Scheduled for launch: June 28th.

Update 6/24/09:  Allie Carr will also join us as a collaborator on this project.

Published in:  on June 18, 2009 at 8:09 pm Comments (1)

SPECIAL REPORT! A Scene from the Spider-Man musical has been found!

BREAKING NEWS!

Yes, the Tonys are over, but we can’t stop caring about theater just yet. There are a lot of exciting things in the pipeline for next season (A Trevor Nunn directed A Little Night Music! Uncle Jessie in Bye Bye Birdie!), but nothing has made people scratch their heads quite as much as the imminent musical, Spider-Man: Turn Off the Dark featuring a score by U2. Will it be an origin story? Will the score be self-indulgent? Will it finally get straight boys to the theater? Will singing make Peter Parker seem even more like a pussy than he already is?

Hopefully a few of your questions will be answered, now. In what comes as ICBINS’s first ever journalistic coup, we have managed to come across a few pages from the script. Transcribed after the jump! (more…)

Getting Ready for an ICBINS Reading!

Target Nepotism Alert: ICBINS is doing a table reading of my play, “When You Die You Go To Target“. This is going to be an interesting experience for  me, so I thought I’d blog about the whole process. Hopefully we can get some some other people to blog about it from an Actor’s/Dramaturg’s perspective as well.

Right now the table reading is scheduled for June 28th. The actors will be sent their scripts on the 24th, a week from Wednesday. That means that I have ONE WEEK to do what I hope will be a significant rewrite of the script….

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Published in:  on June 16, 2009 at 3:58 am Leave a Comment
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Free Reading!!!

WHEN: Monday, June 15th (today!!!) 7 pm

WHERE: New Dramatists, 24 west 44th between 9th and 10th

WHAT: Reading of a New Play by…

WHO: Lonnie Carter, Playwright and beloved NYU professor!

See you there!

Published in:  on June 15, 2009 at 2:17 am Leave a Comment

Twinkle Twinkle Little Star

I know much has already been said about Shakespeare in the Park, but I thought I would add my 2 cents as I just saw it last night, and as I was a cast member in the critically acclaimed producton of Twelfth Night 2 years ago at Shakespeare Theatre of New Jersey in Madison, NJ… (The only critics who came were my parents and they loved it, so that counts, right?)

Well, I have to say that the cast was superb, the set was stunning and the costumes were gorgeous.  And here is the real kicker – Anne Hathaway was wonderful! it is so rare that stars are stars for a reason, but she is constantly showing up because she is the real deal – and guess what -

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you’re not crazy, or at least not as crazy as this guy:

Working on a new project this week – a workshop reading of a new play by Mariana Carreño King about the Portuguese poet Fernando Pessoa.

Fernando Pessoa: Poet, Loony

Fernando Pessoa: Poet, Loony

This has been my first exposure to the work of Pessoa, who wrote poems under dozens of “heteronyms” – beyond pseudonyms, the names he wrote under – Alberto Caeiro, Ricardo Reis, Álvaro de Campos, etc. – were poets unto themselves with complete histories, astrological charts, politics, personalities, and poetical styles.  The heteronyms engaged in debate with one another, criticized one another and wrote each other letters – as well as writing letters to Pessoa’s polygamist (?) girlfriend, Ofélia Queirós, who we can only assume was very confused.

In his writing, sometimes Pessoa views his own personality as a blank – a medium for the voices of his heteronyms.

One of the poems written under his own name begins:

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