The Chronicle of the Bed

the infamous bed

the infamous bed

Once upon a time, in a land not so far away (Queens), I Can’t Believe It’s Not Shakespeare premiered its first production: The Bros’ Play by our very own artistic director Julia Rae Maldonado.  Of all the excitement and goings on of a putting together a production there was one aspect of the entire process that seemed to demand a lot more of our time and attention than we had expected.  One word: Bed.  The focal point of the stage, the place where sin and filth would merge, and believe me, it did.

All of the other props and set dressings were easy enough to come by and fairly painless to schlep to the theater.  But where on Earth do you find a place that sells nice enough beds for dirt cheap AND provides cut-rate transportation in the form of sketchy van rides from “Big Bob” to the Theater?  I’ll tell you where: IKEA – the bastard child of capitalism and meatball loving Swedes.

We opted for the second most inexpensive model, the DALSELV.  So now all we had to do was put it together and Voilà! A bed for the set, right?  Not so fast – the bed frame was made of that inferior pale wood they call pine.  So we had to stain it a nice “walnut” color.  After hours of toxic fume inhalation and extensive brain cell death (which lead to my commandeering of the downstairs bathroom) we had successfully stained the bed frame “carrot piss”.

But before we stained the bed we made one grave error that would cause many many epic fails in the coming days, namely – during the performances.  Word of Advice: Use ALL of the parts that IKEA tells you to in their nice little picture instructions.  Do not let the playwright tell you “oh yeah we don’t need THIS part”.

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Shakespeare in the Park: The Great Democratization of Theater; or How I Will Spend the Next Month Trying to Stalk Raul Esparza

Note the smoldering glance. Sigh.

Here’s the thing, we’ve already discussed some of the reasons why we don’t see the big shows, but probably my personal biggest reason is the cost. I love Dolly Parton. I have been known to drunkenly declare that my greatest desire is to be the Dolly Parton of theater (Yes, now that she is in theater, I definitely need a new aspiration.) Anyway, there’s no way I can afford 9 to 5. I have to eat! I have to save up for some Air Yeezys!

But next week begins Shakespeare in the Park! If Broadway represents one half of our American identity, the product-based, consumer-driven Lady Capitalism, then Shakespeare in Park is her intrepid, homely sister Democracy. Once a year we pretend these ladies don’t hold an epic resentment for one another and can cohabitate our great city. Like any Democratic endeavor, The Park doesn’t care if ye be rich or poor, young or old, able-bodied or differently-able-bodied, black or brown or white; you are all welcome into her Delacorte. Though they do offer guaranteed tickets for generous donors, have great handicap accommodations and as well as special days where they do outer borough ticket distribution at places like El Museo del Barrio.

But for us! Those of us of median income and courageous heart, the backbone of America, we have the tremendous opportunity to wait in line for hours and hours in the lovely New York City summer for free theater. Much like the pilgrims endured the months at sea for the promise of religious freedom or like the pioneers loaded up their wagons to hazard the Oregon Trial for gold and land, so, too, will we wait for Shakespeare performed by Anne “In My Opinion Her Goodwill Earned from Princess Diaries and Ella Enchanted Will Never Fade” Hathaway and Raul “Curiously Sexy…Oh and DIBS!” Esparza.

Now whether you’re a seasoned line-waiting veteran or if this will be your first attempt there are definitely some things you can do to ensure you nab those limited tickets. LIST! (more…)

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